music-related
Music has always been my biggest source of inspiration—I was making music videos as a kid and even recorded my own album at 18 (don’t ask, it’s in the vault). Creating visuals for music feels like my natural habitat. Luckily, I’ve had the chance to work with some of the biggest names in the Polish music scene, including Brodka, Margaret, Mata, Dziarma, Doda, and a whole lineup of SBM Label artists. But I’m just as proud of my collaborations with incredible, less mainstream talents like Kidä and Kasia Lins—because great art isn’t just about the charts.
fashion & editorials
Recently, I had the unexpected pleasure of standing in front of the camera, modeling for a Versace Jeans Couture campaign (still hiding my identity though). But usually, I stick to my side of the lens—working with brands like MISBHV (from their loafer campaign to sports collections), shooting backstage for MSGM, and capturing Joanna Kulig for Zwierciadło. I’ve also created promotional photos and videos for Zalando, Reserved, Big Star, Dr. Martens, Maciej Zień, and People of All Nations, along with independent designers like Draus and Zwyrtech. Beyond commercial work, I’ve collaborated with institutions like the Museum of Modern Art and the Central Museum of Textiles, blending fashion with artistic projects. Basically, if it involves visuals, storytelling, and a bit of chaos—I’m in.
other publications
Over the years, my work has appeared in magazines like Newonce Paper, Sezon, K-MAG, PC Erotic, Frowning, and more. I’m drawn to conceptual editorials that blend fashion, technology, and the strange quirks of modern life—shoots that tell a story, spark curiosity, and feel like they belong in a slightly weirder, parallel universe.
model tests
When I first got serious about photography, I dove headfirst into model tests—basically, the blind dates of the fashion world. I shot for agencies like The Hive and Premier in London, Crawford Models in New York, Izaio in Berlin, and X Management in Poland, among others. What I love most is figuring out each model’s vibe—some bring high fashion energy, some just want to survive the shoot—and setting a unique tone for every session. I also tend to sneak in some video footage, because why not? Definitely up for doing more tests soon.
backstage & making of
I’ve always been obsessed with what happens behind the curtain. As a kid, anytime I saw a shoot in the city or went to a concert, I needed to know what was going on backstage. Now, thanks to way too many all-access passes, I get to capture it myself. Some of my favourite backstage projects include Mata’s music video with Anja Rubik, Bankiety u sanah, the Babie Lato concerts for Santander Letnie Brzmienia, plus many shoots and campaigns. I love collecting those raw, unfiltered moments—the magic before the final cut.
album / single covers
I’m excited to shoot more album covers in the near future. There’s something fascinating about translating abstract sounds into a visual world that truly reflects the music. It’s always a challenge—but the best kind. Seeing how imagery and sound interact is what makes this process so addictive and fulfilling.
album artwork
As I mentioned earlier, I love creating visuals for music—album covers, booklets, and all the print elements that bring a record to life. I’m not a graphic designer, so I usually team up with someone who knows the technical side, but concept development, photography, and setting the album’s tone? That’s where I thrive. My projects with Mlody Leszcz were always a playground for creative ideas—once, we even designed a booklet with a hidden crossword puzzle that could only be solved by decoding hints inside. In a world of endless streaming, I still believe in owning the albums you truly love.